is it over?
you are a fanatic.
"make" him?
you know what he's like. he just wants to work on stuff that's cool.
i can paint anywhere.
i'd like to stay here, yeah. and i kind of think he should be with teddy.
i mean, nobody else can follow what they're talking about half the time.
maybe you shouldn't push it so hard. about outpost. no offense, you sound insane.
anything? that's not even credible. if he wants to go up there? to check it out? i think you should encourage him. it's his life. but everybody's treating him like this -- valuable object. you're hurting your own case.
but how does he know that's what you guys're working on?
c'mon, how often do you talk to somebody who's been on the cover of time. three of four times.
then you've gotta ask him about that.
it's important.
bully? are we talking about gary boyd? or your dad.
but he's not quite the same guy anymore. don't get your hopes too high?
i think that's great, milo. i do.
didn't you visit the campus?
no way. you have this -- destiny.
don't bring that up. like a different girlfriend would'd've let you die?
it's not just gary that makes you wanna go there? 'cause it's a big place. you might not even see him again.
prob'ly waiting by the phone for outpost to call. we'll leave it for him?
'give you guys some time alone.
milo, this is mr. barton from the justice department. sorry about the glass.
we're not gonna let it.
the corporate condos were as romantic as they sound.
milo! what about --?
this feels fairly grown up, i'd say.
that's what i need to ask you. you know you can't keep anything from me.
what would it mean, anyway? if he didn't write it?
milo!
he's your boss. he's not your --
if you can't deal with him on that basis, you better get a new counselor.
what's extreme is what that er doctor said when he pumped your stomach. eat another sesame seed and that's it.
i mean, if one little comment from gary is gonna upset you this much --
c'mon. let's do the toast?
teddy was killed last night.
it was a hate crime.
i'm sorry. i'm so sorry.
nelson? your mom wants you. it's time to go to scatter the ashes.
we gotta go too, honey.
you okay? i miss him, too.
are you saying you think they had something to do with his death? nelson said it was an airtight case.
i can't see outpost putting its reputation in the hands of people like that.
they hack into people's programs?
you're scaring me. i think we should just go.
"like this?" it's gary you're talking about.
milo. why would he --
even if all this were true. there're 20 other buildings. all of them filled with computers and --
milo, you told me those doj agents are all over the place. how could they hope to hide a surveillance post? and how can you get in there, anyway? with the cameras and the swipe cards --
you can't just walk in, either.
is it two? or is it three? have you ever really noticed?
whaddo i do?
just tell me what to do.
no.
he'll tell me when he gets home.
instead of busting my chops you should do something about that girl. fire her. or something.
prick.
it's almost nine, i've been so worried! what did you see in there?
nothing?
why?
i remember.
guilt?
poor baby. you know that's not true.
i was so worried about you.
that was -- different.
you didn't feel it? so intense.
he said it made sense that gary's code was like teddy's, that that clich about great minds was true. said it was all about his own guilt. plus, he has a tendency to get gary mixed-up with his dad once in a while. it always passes.
i don't think he knows how.
where were you? you know you can't keep anything from me.
i won't turn you in.
what?
he has thousands of employees, milo --
milo --
milo, you --
they called the house to ask who's your favorite painter.
but, i mean -- devil's advocate -- won't that influence the content? won't the artists complain? the directors or writers or whoever?
are you gonna tell me where you went?
are you having an affair, milo?
just shut up?
i'm a mess! i got this hunan cookbook, since we're always afraid for you to eat in chinese restaurants. i've been mincing things into teeny-tiny pieces all afternoon.
look at me! i'm gonna change.
yeah? give me a goodbye kiss.
i know you. you're gonna run back to work right after dinner. i want my kiss now.
be right back.
milo?
milo?
oh, right. hold on.
here we go.
it's gonna get cold.
you're just afraid to eat it.