little bill.
what's wrong with you?
yeah. yeah. i know. anyway, listen:
for the shoot -- i wanna talk about the look.
i wondered if we'd be able to look into
right, well, very often, minimal means
no, no. hey. i know you understand,
ok . . . fine . . . i was just saying . . .
-- 'cause i'm just trying to give each
oh, yeah . . . you have to go somewhere . . . or . . . ?
'cause i was hoping to, y'know, for the
no. hey. gotcha. you've gotta go somewhere
no, no, hey. no way, little bill.
ok. no big deal. sorry.
gotcha.
give me twenty to thirty. i've got a
are we doing a rehearsal?
is the movement of the waterbed a problem?
it's a real film, jack.
you made it fly.
yeah.
no turning back now.
that's right.
we can make it work, i think.
yes.
no you can't.
i'm scared.
yep.
we can still tell good stories, jack.