good evening -- my key -- one sixty- eight.
oh -- good evening, baron.
grusinskaya -- well, to tell the truth, baron -- tonight we are a little bit nervous. were you at the theatre last night?
well -- last night was not so good.
yes -- but the audience.
if you occupied the room next to madam grusinskaya, you would appreciate the quiet of a hotel lobby.
no doubt you would, baron. but do you know, i'm quite indispensable to her. i'm her ballet master and her nurse. i hardly belong to myself anymore. but, there you are, it's grusinskaya -- you can't help adoring her.
that is doctor otternschlag -- you know him?
the war dropped him here and forgot him.
well, baron -- i must go and dress.
unfortunately no.
poor grusinskaya -- how can she receive anyone. she can't -- theatre, trains, hotels -- hotels, trains theatre.
i must go and dress -- she'll be waking up and calling for me.
it is time for the performance.
poor little lisevata -- she still has her stage frights -- it will pass.
what -- what is it? last night.
there was -- there was.
meierheim --
we will wait.
how is the house?
if the house is empty again, i don't know --
please, baron -- forgive me -- not now -- here she is.
good morning, gru -- your --
gru -- you are positively radiant.
he will be on the train.
oh -- gru -- come, come -- we'll lose the train.
what's the use of asking, gru -- he is at the train -- he will be there.
come, lisaveta, he will be there -- he will be there.