some people have written in to say that, if they're serving these dishes in a dark room, maybe for those romantic occasions, they notice a glow coming from some of the meat courses. now, that's perfectly normal. reveal that this image is on a control-room monitor at the clamp cable studios. billy, carrying a shopping bag, passes the control roomand turns down a narrow hallway. now, this week here on "microwave with marge" is our special "salute to luncheon meats" and i'm very , excited about t ecipes, so let's just jump k ome hors d'oeuvres. you kn t logna and bean dip roll-ups-a is when friends drop over, and f i o want to make it a little extra special, you can get some of these little sword-shaped toothpicks, you put that through the bologna, and that's your "viva zapata" appetizer. people are simply crazy about these. this is how we used to cook for big groups, before we had our microwave ovens and the other modern appliances. it would take days to plan the menu, and hours over a hot stove to do the cooking. but now, we can make this same tuna-noodle cheez-product chowder surprise in just a few minutes, and you can feed anything from a high school reunion to a complete chain gang with this kind of quantity. whew! now, if we step over here. but as she starts to turn away, the lights on the set suddenly aaagghhh! what is it? at the sound of gremli laughter, she wheels to see george, a gremlin in an apron, counter behind her. as marge turns to the cameraman for pr tl george points to two microwave ovens at the rear of the set. look out! -- and the ovens explode, showering the set with glass. as marge and her cameraman escape the studio, the ovens catch fire. the flames lick up toward the ceiling -- -- and set off the sprinklers. george and lenny grin, standing tall to shower in the spray. as the water hits, bubbles appear on the gremlins' backs. close on the bubbles, camera finds the tiny heads of gremlin offspring, getting ready to burst out. as the studio fills with the ominous smoke and colored light of gremlin multiplication, kate runs from the room. and, and then these horrible green things came into the kitchen, and they, they put all kinds of metal utensils and cookingware into the units, the ovens, which you should never, it's not like your conventional oven, it produces a, a reaction, and it explode!d, and the horrible things were, they were laughing, and -- hearing this, mr. futterman pushes his way to the entrance and blocks the firemen's path. mr. futterman q, hold it! wait! no water!