what starts tomorrow? shosanna looks down, seeing the young german solder smiling up at her from below.
ummmm, i always preferred linder to chaplin. except linder never made a film as good as "the rid". the chase climax of "the kid", superb. shosanna continues working, not adding to the conversation.
i suppose now you could use a "m" a "a" and a "x"?
don't be ridiculous, it's my pleasure. he hands the french damsel the letters spelling max.
i adore your cinema very much.
how does a young girl, such as yourself, own a cinema? do to his uniform, and shosanna's situation, all his efforts at trying to make small talk, strikes the young jewess in hiding as a gestapo interrogation.
lucky girl. shosanna makes no reply back.
merci for hoisting a german night.
do you chose the german films yourself?
then my merci stands. i love the refensthal mountain films, especially, "pizu palu". it's nice to see a french girl who's a admirer of refensthal.
but you do admire the director. pabst, don't you? that's why you included his name on the marquee. she climbs down from the ladder and faces the german private.
apparently even germans.
your not finished?
may i ask your name?
emmanuelle mimieux. that's a very pretty name.
mademoiselle. my name is fredrick zoller. she gives no response.
it's been a pleasure chatting with a fellow cinema lover. sweet dreams, mademoiselle. he gives her a little salute, and walks into the black of a curfew imposed night. she looks after him. she didn't show it, but he kinda got to her. after all, for any true cinema lover, it's hard to hate anybody who, cinema mon amour.
take your seats! the show is about to begin! everybody take your seatsl col.landa, lt.aldo, and bridget are still together.