shooting down onto a small seat by a bus stop, we see bruno with an open newspaper in front of him. it is held up as he reads it.
miriam comes nearer and nearer to bruno. with her two companions she brushes past him and jumps onto the bus. the
as bruno starts to advance in the direction of miriam he is momentarily held up by a small boy in cowboy uniform carrying a gun and a balloon. the small boy points the gun at bruno.
the drunk opposite guy looks down at his feet and then up to guy resentfully as though guy had kicked him. he eyes guy up and down, then suddenly, without warning, bursts into song, to the tune of the barber shop chord.
guy gets out of the taxi with his rackets and bag, pays the driver and goes up the steps to the front door of his apartment.
guy reaches the other side of the street and still puzzled and cautious, approaches the dark alleyway.
after a moment a figure steps out of the darkness. it is bruno. he steps back into the darkness again as guy comes up to him.
as guy starts to make the long trek across the living room, with anne behind him --
the two boys who were with miriam at the amusement park. they look at guy with interest.
seated behind guy, apart from the others who are waiting, is professor collins, guy's drunken companion on the train of the night before. the professor is completely sober now, dignified and erect. he has removed his glasses to polish them and does not react to guy's presence.
guy breaks away from his uncompleted greeting to the professor and goes through the door to captain turley's office, followed by the eyes of the waiting people.
professor collins comes in and sits in a chair opposite guy.
guy frowns, quickly folds the paper up and stuffs it into his pocket. he looks off abstractedly.
a couple of women players whisper something about guy as he goes past them.
as guy stands at the umpire's chair, the umpire glances down and gives him a rather embarrassed greeting.
as guy casually knocks the ball across the net, he glances again toward bruno.
in response to the frenchwoman's attentive and eager expression, bruno leans forward on the table and starts saying something more in extremely fluent french.
guy hastily gather together the gun, the note and the wrappings and puts them in a dresser drawer. he crosses to the door and opens it. hennessy enters, carrying a topcoat.
on the opposite side of the street we see hennessy, now wearing his topcoat. he looks bored as he glances across the street to the house.
bruno comes up to anne and the senator. he gives a slight bow to the senator; then puts his hand out to anne.
guy sees bruno join a group of several ladies who are seated on a settee and a couple of older men who are standing by. a waiter comes along with a tray of drinks. bruno takes one.
camera pans guy across to the window. he parts the curtains slightly and looks out.
guy turns away and is soon lost in the darkness of the street.
guy starts up the stairs slowly. he carries his flashlight and the plan.
bruno rises from the bed and sits on the and of it. he is fully dressed, just as he was at the party, in white tie and tails.
anne joins barbara in the box. she starts to whisper something to her.
a terrace where people get refreshments. there are various tables with umbrellas.
anne and barbara sitting in their box watching the play anxiously.
at the entrance to the covered stand. the two detectives hennessy and hammond, are watching. hammond is bored by this game.
guy playing hard but holding his own.
reynolds, his opponent, playing back.
guy scores point over reynolds.
there is general applause from the crowd in the covered stand as we hear the umpire's announcement.
a nearer view of the game.
guy misses a point and the game. he and reynolds make for the umpire's chair. we hear the umpire announce.
guy and reynolds in play.
guy playing hard.
reynolds playing back.
anne and barbara very tense.
reynolds returns.
guy volleys.
reynolds puts the ball in the air.
guy is volleying.
reynolds lobs.
barbara hurries out of the picture toward the club.
the waiting cab.
guy slams hard a shot that wins him the game.
guy moving along the front of the stand making for another exit.
guy is hurrying toward the public entrance of the stand.
the two men hurrying after him.
the two men hurry out of the club and stand helplessly looking after the departing cab. they hurry out of the picture.
bruno leaves his spot at the side of the tent and ambles over toward the queue of people waiting for boats.
guy's taxi arrives.
across the street, another police car arrives.
at guy is paying his cab fare, he glances around him.
guy cautiously makes his way toward the entrance to the amusement park.
guy passes the waiting detective and looks off. from his viewpoint we see:
one detective turns away and starts to follow guy.
guy, threading his way through the crowds, conscious that he is being followed, but nevertheless, on the lookout for bruno.
the boatman begins to look along the queue. there is an expression of growing recognition on his face.
bruno sees this, makes a decision and casually deserts the queue of people.
the boatman hurries across to the uniformed man and begins to talk to him excitedly, looking in bruno's direction.
bruno starts to run.
guy starts to run after him.
bruno is seen to jump on a merry-go-round, which is just starting. its pace is already pretty fast.
guy runs toward bruno.
the detective, after guy, jumps on the machine but is flung off on his back.
the camera is low so that we get the effect of bruno falling into the camera from guy's blow!
in the f.g. is a young boy of four years. he is excited by the speed of the ride and laughs at the fight with great enjoyment. he sees this by suddenly glancing over his shoulder. in the b.g. guy and bruno are continuing their fight. bruno rises. guy staggers after him. bruno again leaps upon guy. the two men sway toward the camera until bruno gets alongside the little boy. the boy now shows some anxiety. the three figures now fill the screen with the horses' heads in the f.g. bruno is forced against the little boy, who now, alarmed, beats bruno on the cheek with one hand, the other holding onto the brass rail in front. bruno stops and with a sweep of his arm, knocks the little boy off the horse onto the floor below. the little boy, in falling, grabs the horse's rein or stirrup.
guy's body is flung out horizontally. we see the crowd behind back-up for fear of being knocked over. the screw of tension increase. over this comes the sound of an approaching ambulance siren.
a flash of the horror-stricken faces of the spectators seen through the whirling machine.