miriam and her two boy-friends by the sledge hammer concession where the aim is to swing the hammer hard enough down onto its target to ring the bell and register the 100 mark. miriam is in the foreground of the shot. the first boy steps up to try his hand. as he swings, miriam turns and glances about her, obviously looking for bruno.
the first boy having failed to ring the bell, the second stops up and slams the hammer down.
bruno drops the hammer and glances around at miriam again. her two boy-friends are calling for her from a little distance.
the horses of the merry-go-round are filling the screen as they whizz by, and again we get the picture of bruno chasing miriam as they rush past the camera, the music and tempo at a high speed.
bruno is approaching the pay box.
miriam and her companions are escorted to a small boat with electric motor. once they are seated the boat chugs away from the landing stage and off into the darkness.
bruno comes to the shore where his boat is moored. he gets in and is quickly chugging away. he moves calmly, matter-of- fact and not furtively.
guy looks off for a moment with set face, then tearing the note into shreds, crosses to a small desk, lights a match and holds it to the fragments, letting them burn and fall into an ash tray.
bruno half rises, smiles affably at guy, reaches out his hand. guy is forced to shake hands with him
there is a rush of people around mrs. cunningham, who is breathing frantically, her eyes opening and closing. a couple of women are feebly slapping her hands, someone else is fanning her face.
the senator and guy rush into the picture. they look at the fallen bruno. they search around for an explanation. other man come in ad they start to pick bruno up.
anne rushes into the picture. she sees bruno being helped to his feet; then turns her attention to mrs. cunningham, who has now somewhat recovered. mrs. cunningham is helped to the settee. there is a babble of women's voices trying to explain what has happened.
bruno is now half awake. almost without seeing guy, he staggers to his feet and begins to make his way to the door. guy advances, and with a sharp thrust, pushes bruno back on the settee.
bruno and guy going out the front door. the man-servant does not close it immediately, so we are able to hear the call for mr. antony's car.
anne comes down the steps and intercepts guy on the sidewalk. she leads him along a few paces and then stops and faces him.