ray reaches over to the passenger seat and pulls up the m- 16. he lays it across his lap. looks in the rearview again. then makes a sudden sharp turn.
ray is leaving little transitional developments and trailers behind. his eyes bore into the road before him, looking for a sign of crow horse, and in the rearview for a sign of his fbi mentor.
with crow horse half-passed out in the passenger seat, ray keeps the wheel steady. and then his radio statics.
with ray driving like a maniac, crow horse is turned around in his seat, watching the federal cars spreading out, the chopper moving in.
the tape ends and ray now lifts the mic to his mouth.
crow horse is turned around, looking at the pursuit.